We often know what we love, but we find it difficult to rationalise why we love it. We usually defend our feeling by saying that LOVE doesn’t take off because of a reason, but rather in defiance of it. And this is where I come in and ruin the magic (I actually don’t).
In my previous post, I asked readers to say which of the five autumn landscapes painted by Russia’s best artists resonated with them most. We have two clear “winners”: Levitan and Brodsky. I promised to take you on a journey through these paintings, and this is the first installment, in which we will cover Levitan’s Golden Autumn.
This landscape is the most popular icon of autumn in Russia. It is reproduced as often as Van Gogh’s Sunflowers, 11 to 13 year olds write essays at school about it, poets reference it in their poems, writers…
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